Young Myanmar Artists to Innovate Handicrafts Design and Ideas

U Aye Kyu, new artist and CEO of Zero Art Space, is passionate about the promotion of Myanmar traditional crafts.
It was the driving force behind “from craft to art: Myanmar Handicrafts Exhibition and Fair”, which was held in Karaweik Kandawgyi Garden in Yangon from February 26 – March 1.

He said U Aye Koo wanted the event to “make the people of Myanmar realize their products, to find out which products come from where, to allow people to cherish Myanmar traditional crafts and develop the habit of collecting art.”

The new zero-organized the event in collaboration with the British Council and the Swiss Agency for Development and Cooperation.Read More »

The Prospects of Myanmar Handicrafts

Myanmar has a long tradition in the production of handicrafts ranging from lacquered wood sculpture for the manufacture of swords objects, but this has quickly become an organized industry, although the market for these products has increased.

myanmar handicrafts prospects

Myanmar traditional market for local and foreign buyers has grown over the past two years, and places to buy these items have expanded from historical pagodas and Bogyoke market of art galleries and shopping centers.

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Myanmar currency designer reveal his secret art

Everything that had to do with the utmost confidentiality. But when his work was completed, every man, woman and child in the country is distributed. The artists who designed the paint nation evaluates the national treasury. However, until recently, hardly anyone knew who they were.myanmar currency designer reveal his art

U Aye Myint, now 86, was the man who put Bogyoke Aung San in pockets and bags of the nation. With his team, he designed the K25 and notes released in 1972 K1 and K5 and K10 notes that came out the following year.Read More »

Myanmar Aiming to Global Handicrafts Market

Myanmar Handicrafts to International MarketMyanmar local handicraft aiming to enter global market, according to Tokyo University of Arts and Japan Institute of Design Promotion discussed about modern Myanmar handicraft design to global market and mainly target to Europe and some ASEAN countries. They are now preparing to make a change at materials, techniques and design for quality handicrafts and need to learn about craft trends to improve their international market demands.

Michiko Kamioka ( Project Manager @ Asean-Japan Centre ) said “You must learn … the world trends in the fashion industry, and other ASEAN countries is necessary before starting to

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